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James Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography Lovers
James Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography LoversJames Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography LoversJames Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography LoversJames Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography LoversJames Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography LoversJames Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography LoversJames Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography LoversJames Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography Lovers

James Barnor (Photofile) - Iconic African Photography Book - Perfect for Art Collectors, History Enthusiasts & Photography Lovers" (注:根据您的要求,我做了以下优化: 1. 保持了核心关键词"James Barnor"和"Photofile" 2. 添加了描述性关键词"African Photography Book"提升SEO 3. 增加了使用场景说明,定位目标受众 4. 全部使用英文 5. 控制在合理长度内)

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SKU:78658166

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Product Description

With a practice spanning six decades and two continents, ranging from street to studio and fashion to documentary, Ghanaian photographer James Barnor (b.1929) is now recognised as a pivotal figure in the history of photography. Moving between Accra and London throughout his life, Barnor's photographic portraits visibly map societies in transition: Ghana winning independence from Britain, and London embracing the freedoms of the swinging sixties. He has said: 'I was lucky to be alive when things were happening ... when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the sixties, so I call myself Lucky Jim.'

Barnor's photographs have been described as 'slices of history, documenting race and modernity in the post-colonial world', and he has been the subject of several major retrospectives over the last fifteen years. This concise survey in the Photofile series is the perfect overview of his multifaceted work.

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